Category Archives: Magical Tinctures
The complete book of Incense, Oils, & Brews is a wonderful guide to working with these practices. Like many of his other texts the author Scott Cunningham created a very useful and effective resource for working many different types of magical spells and rituals. This text works great in companion with his Aromatherapy book and his two Herbal Magic books-Herbal Magic and his Magical Herbal encyclopedia or it can be used effectively on its own as its own resource. The text provides a comprehensive list of tools you will need as well as instructions on how to make the different items found within the book.
This book is broken up into three different sections. Each section addresses a specific aspect of working with and creating incenses, oils, soaps and more. This organization makes the book ideal as a reference guide for making these powerful spiritual and magical aids. By having the three sections a beginner to incense and oil work will be able to get the most out of it while an experienced crafter will also be able to find just what they are looking for and nothing else.
The first section deals with magic basics, proportions, empowering the creations, ingredients and creating your own recipes. This is the foundational portion of the book. Here the author goes into the very basics of what you need to know in order to make the most out of thi reference guide.
The first chapter here is on magic basics. While many people interested in this text probably have a basic understanding of the practices and concepts associated with magical practice this chapter is a nice refresher. For those new to magic the information here is very basic and a great introduction for some one who wants to have practical applications right away. The chapter covers ethics, power, working for yourself and working for others. It also covers the basic magical tools that you may need in your journey within this text.
The second chapter is very brief. This chapter was included because people asked for specific proportions to the ingredients in individual recipes from an earlier edition of this book. This chapter says to use them as guidelines but also to trust your intuition and personal judgement. The importance of keeping a record of your work is stressed here as well.
The third chapter focuses on empowering your creation. After you make an incense or an oil they need to be charged for use. This chapter gives you a small ritual way to empower these new objects as well as explains why additional power is needed for the incenses, oils, and brews to be effective.
The fourth chapter is a chapter on the ingredients that you will find in some of the recipes. Here the author mentions how we can obtain the items for various recipes. The chapter also gives information about uncommon terms and ingredients that might be found within magical oils and incenses. The explanation here provides an easy guide to the ingredients listed later on in the book.
The last chapter in the first section is all about creating your own recipes. As some one who makes their own incense blends this is a chapter I refer to often to check my process. Here the author explains that you can use what you have to make things work. The guide includes thinking about the form of what you are going to make and then herbs and other associations. There is even a sample incense process given to illustrate the process involved.
The second section makes up the bulk of the book. This is where you have the recipes for the incenses, oils, brews, and other items contained in this book. This is the real reference section here. This section provides beginners with step by step recipes to work with from the beginning and allows experiences crafters and practitioners to find inspiration for their own work. The types of items covered allows every one to find something they can work with.
The section starts off with incenses. Working with incenses is one of the most common herbal and magical or spiritual practices and it covers many cultures so it makes a great starting base. In the first section of this chapter the author talks about the two different types of incenses and the benefits and issues of working with either one. He gives a step by step guide on how to make the different types of incenses. Then he starts the recipe selection. One of the key parts of this section is how the book notes which incenses shouldn’t be inhaled and or that contain dangerous ingredient so you may want to look up a substitute.
After the incenses Cunningham discusses making oils. In this section the author talks about how you can make oils and also which oils work well on their own for different purposes. The first part of this chapter is the how to and the second section covers the recipes and guides on making the oils.
After oils the author covers in this order Ointments, Inks, Tinctures, Herb Baths, Bath salts, Brews and potions, Soaps, Herbal satchels, Powders, and miscellaneous. Each section contains as the previous sections did how to make the items and why they are being used. The recipes cover many different needs allowing for a wide variety of practices and magical tools.
The last section deals with different ways you can make substitutions in your work allowing for a person to work with what is available rather than needing to get a lot of expensive new herbs and items. The author includes planetary substitutes, herbs & basic ingredients,elemental, and need based. This section allows a person to be able to make anything they want and need based on what they have in their home and maximize them to the fullest extent.
The book A witches World of Magick is full of magical practices and concepts from around the world. For this reason the book is aptly titled. Through out the book the reader is exposed to magical cultures from the Meso-American cultures (like the Incas and the Aztecs) to Jewish Folklore, to Hindu Vedas. This book covers global magical practices.
The author of this book did a lot of research into the different folk magic practices and traditions around the world in the creation of this book. The authors dedication to providing a diverse selection of folk magic and folk lore on each topic covered is clear by the wonderful footnotes and credits given throughout the book.
This book is not your basic how to book on witchcraft or magic. If you are looking for a how to write a spell or how magic works book than this book is not for you. This book is focused on and for those in the intermediate area of study. This book is designed to provide experienced practitioners new ways of practicing magic and looking at magical concepts from folk magic practices around the world.
A witches world of Magick is an informative guide to folk magic around the world. By the end of each chapter the reader has covered several different approaches to magical techniques in folk magic traditions that they may have never heard of or explored otherwise. Each chapter while they cover specific magical concepts and techniques covers the magical concepts and techniques from different perspectives in different cultures. In doing this the author provides many different views of magic and different ways to look at magic.
There are ten chapters in this book. Each chapter focuses on a specific type of magical concept or practice. With the common thread or practice for the chapter defined, the author in each chapter provides the reader with a ton of different sets of folklore and folk magic.
The book opens by mentioning how universal the concept of magic is and how wide the varieties of magical practices there are. With in the first chapter it is clear that the book does take a global approach to the practices and magical workings. While the title of the book is “A witches world of magic” not all of the traditions and practices that are discussed are considered witchcraft. The book really only touches on witchcraft at the end of each chapter, providing witches with questions to think about for their magical practices as well as concepts for how the folk magic discussions can be applied into an individuals witchcraft today.
To further illustrate that the book is not a book for beginners the first chapter in the book covers working magic with out the use of tools. The chapter is titled No-Tools Body magic. Its clear right away that the author is showing advanced magical techniques covering the practices of the evil eye, through speech and voice alone, to gestures and movement of the body to make magic effective.
The second chapter covers potion or mixing magic. Once again the author provides a few unusual ways of thinking about potion making and mixing ingredients to make a spell work. From gypsy love potions to a tale about two Polynesian wizards the author covers both conventional and unconventional forms of mixing magic and potions. Again the author ends the chapter with concepts for the practicing witch to ask themselves to further their new magical practices and concepts.
The third chapter discusses container magic. The chapter does not mention Jar spells as found in Hoodoo and other forms of magic but rather other types of containment spells. The concept of talismans and amulets as a container for magical energy is addressed her, but is addressed in a manner related to folk magic concepts. Once again various cultures from Egypt to Nigeria and even the PowWow tradition of the Pennsylvania Dutch magical practices related to containing forces and power are discussed in that chapter.
The fourth chapter is all about knot magic and binding magic. The spells covered here include a well known folk charm by sailors to create wind while at seas. Other knot magic and binding spells cover love and protection. From Gypsy magic to the sacred knots of the girdle worn by Zoroastrrians binding and knot based folk magic can be found in that chapter.
The fifth chapter is all about puncture magic. Yes the concept of voodoo dolls or dolls punctured to create a magical effect is covered here. However the dolls are only one of many different magical practices discussed here in this chapter. Not all piercing magic is baneful or curse like. The chapter covers a few examples of healing magic through punctures.
The sixth chapter is all about identification. In magic it is important to have a clear target or concept in mind when working a spell. If you are doing a distance healing for someone its important to know their name or have some way to connect the energetic forces to them. This chapter covers many different ways that a person can identify the target of their spell. From actual names to using body parts the folk magic in this chapter shows how identification of the target is essential.
The seventh chapter is actually related to the previous chapter. This chapter covers decoy magic. Here the magical practices include the well known witches jar, as well as using rocks or stones to distract a spirit. From using masks and loud noises to making an actual representation of the original target as a decoy, decoy and distraction magic is covered here.
The eighth chapter is about curse breaking. The author is clear in the beginning of the chapter that the two most common forms of magic practiced are those of healing magic and those of protection and curse breaking. The various mentioned include using parts of the body (hair, spit, etc) of the curser to remove the curse, destroying the artifacts, and sending back curses. From a modern American curse (the curse of the Bambino) to the Evil eye methods of curse breaking come in as many different forms as there are cultures in the world.
The ninth chapter is about masks and mimic magic. In shamanic cultures shape shifting is often involved in getting to know an animal spirit and to work with the animal spirit. This is just one form of mimic and mask magic involved. Other techniques include jumping high in the fields to show how the crops should grow. The idea is that by showing the fields how to grow they will and that by becoming the animal or spirit, that animal or spirit will manifest there and lend its power to the working at hand.
The final chapter discusses and mentions group magic and ritual. Group magic and ritual was common once but not so any more. From the ancient rituals of those who follow Dionysus to mentions of our modern day Pagan Pride day celebrations, the author covers why group magic is essential and why it should be considered a practice.
By the end of the book the author has given multiple cultural practices that a witch can integrate into their own practices and take inspiration from. The goal of this book is to inspire the witch to look at folklore and folk magic and find new ways of adding to their magical practices. This book is just what the intermediate witch needs to take their magic to the next level using only folklore and traditional practices.